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Building a family of single-user services

2026-08-27T00:00:00Z

Last month I made and wrote about a personal service to track my workouts and record personal bests. Since then, things have escalated. I now have eight different services running in the same “family”:

Name	Purpose
Collegiate Room	Simple weather overview for my current location
German Mall	LLM broker for use by other services
Gloss White	Weight tracking
Olive Crosses	Central service hub
Pompei Band	Workout and personal best tracking
Speed Carp	Spaced repetition system
Tiger Island	Reading history and library tracking
Typical Horse	Location history and analytics

The names are all anagrams of something related to their function. Finding those anagrams brings me an unreasonable amount of joy. Unscrambling them is an exercise left to the reader. On top of those eight, I currently have four other service ideas sat in my todo list. It’s going to be a big family.

A postmortem on the previous hodge-podge

Most of this functionality isn’t new to me. When I started out playing around with LLMs, I created a “personal data aggregator” that just kept getting things bolted on. I said at the time:

My biggest just-for-me project is a web app that I started to help me aggregate film recommendations. It’s since morphed into a general personal data aggregation service: it deals with data from GitHub, Todoist, Letterboxd, TMDB, Healthkit, and others. It also lets me make re-orderable lists, store recipes, and more. Parts of this could definitely be open sourced, and I might carve them out at some point, but it’s mostly a glorious hodge-podge of things specific to me. Having all these services in one place lets me make quick and dirty automations, for example: when I create a Todoist note on my phone or watch, I often forget to set the due date, so it doesn’t show up in the “Today” view. It was literally a few lines of code to plumb things together so any inbox task without a due date gets set to today automatically.

In a twist that nobody could see coming, it turns out that a “glorious hodge-podge” is actually quite hard to maintain and very annoying to work with. It didn’t help that it had a fairly extensive Svelte frontend and I really am not a fan of JavaScript. I ended up using it less and less just because it wasn’t fun to use or work on, and I didn’t want to waste the limited LLM tokens on doing massive refactors or reworks.

I’ve got almost two decades of professional software development experience under my belt, so you’d think I would have learnt the lessons on how to write maintainable software. Hell, my CV even mentions that as something I’m particularly good at. So what went wrong?

There were a few factors. One of the obvious things to blame is that it was written mostly with LLMs. Most of that blame isn’t very honest, though. In the year or so since, LLMs have definitely got better at writing good code; but I was manually reviewing all the code at the time, and telling it quite carefully what to implement and how to do it. So the buck really stops with me.

I think it’s actually more because it was my first larger project using LLMs. It’s a bit like learning a new programming language. I don’t think the first sizable project I’ve written in any language has ever been any good. You can read and learn as much as you want, but you need to actually run into some problems headfirst to get a grip on how the language works. Or at least I do. LLM coding agents are basically the same deal.

What the LLMs actually did was mask several problems. The architecture wasn’t right for how the service developed. It started out as a single-purpose app and gradually got things bolted on, without any major changes. Everything ended up in horizontal slices: a massive database layer with every query used by every part of the app, a massive HTTP layer, and so on. Working on a single feature became a tap dance all over the source tree. This sort of friction is normally quite apparent when you’re writing code by hand, and at some point it hurts enough that you throw in the towel and do some refactoring. But the LLM will happily plod on without exposing that pain, so the project needed a more active kind of architecture management that it just didn’t get.

The other problem they covered up was how brittle and unmaintainable the JavaScript frontend was. I’m not even sure how I ended up with a Svelte frontend in hindsight. It’s my preferred framework, but I still only reach for it as a last resort when there’s no other way to avoid using one. It seems like there were lots of ways to avoid it here, but I seem to have… well… avoided them. Anyway, each feature got its own slew of Svelte components, without much thought to reusability, shared patterns, or anything sensible. Some of them were just thin wrappers around data supplied by Go, others had vast swathes of logic in them, with no real rhyme or reason as to which way that would fall. It’s the same issue as before: a human would look at it, say “WTF?” and suggest tidying it up; instead, the LLM just gets on with what you tell it to do.

There’s also a big non-LLM factor: one of the primary reasons all of this unrelated functionality got tossed into the same app was that I’d previously worked on a few projects with a microservice architecture and really didn’t like it. My conclusion was they only really worked in large environments where you can dedicate people or teams to working on all the boilerplate that happens from maintaining lots of interconnected projects. Dumping everything and the kitchen sink into one badly architected monolith was, perhaps, not the best rebound from that.

Pompei Band and beyond

When I wanted to implement ~~Strava at home~~ my PB tracking app, it seemed fairly natural to build it out as a new service, rather than bolt it on to the slowly decomposing hodge-podge that was giving off a funny smell. Then when I wanted a weather dashboard, why not do it in the same style as Pompei Band? The same serving architecture, the same page layout… I could even come up with a similar weird two-word name!

Then wouldn’t it be nice if the weather dashboard knew where I was, so it could show the local weather? I could just build that functionality in, but it’d also be a good opportunity to carve out the location history feature from my old service and make a new, shinier one. Then basically every time I even thought about going near the old service, I mentally sketched out a replacement service.

Olive Crosses showing links to the other services

At one point I had the thought that it’d be nice if the services could all link to one another, but I didn’t want to have to touch every service whenever I added a new one. So I made a “hub” service, which maintains the One True Catalogue, and provides a bit of JavaScript the others can all embed to add a navigation sidebar.

So after complaining about microservices and JavaScript, it sounds like I have landed on microservices (or at least miniservices) and JavaScript? Sort of yes, but sort of no. Each service is still its own thing and makes sense independent of the others. There are some cross-service dependencies, but they’re very simple and don’t have the same cognitive or boilerplate overhead as a login service that talks to an authentication service that queries a user manager and so on. And as for the JavaScript, it’s almost exclusively used for progressive enhancement and a few limited client-side visual things like maps and graphs. All of the logic lives in Go, which is a lot easier to maintain and test, and all of the pages are simple Go templates.

Having these services built in a way that I actually like has motivated me to play around a lot more with new features:

My workout tracking app pulls photos from my private Immich server that were taken during workouts, and shows them alongside. Now I can see all my obligatory end-of-run selfies in one place.
The location history app can detect trips away from home, and get an LLM to automatically title them. My most recent, very exotic, trip has the title “A fortnight in Milton Keynes and Coventry”. Each trip gets its own little map, and in the future I want to pull in images like with workouts.
My weight tracking app now exports weigh-ins to Garmin, as it doesn’t fully integrate with Apple Health (it will export its own weights, but not import others, like the ones from my Withings scales). Stupid walled gardens, but thankfully I can fix it myself.
My book tracking app automatically cleans up the titles of books from the nonsense provided by Amazon to something more palatable. “Killing Eve: Long Shot: A twist on obsession, betrayal and revenge from Luke Jennings, author of the TV sensation Killing Eve” becomes “Long Shot (Killing Eve #5)”. It does this by passing the title to an LLM with a bunch of rules.
The hub generates me a snippet of Tailscale configuration that defines the minimal grants needed to allow the intra-service dependencies to work.

The LLM integrations were inspired by my friend Shane who recently demonstrated an inventory tracking app he’d made, which used Haiku to process images of boxes and describe the contents. I’ve dabbled with LLM integration before, and always disliked the process of fiddling with the prompts, and debugging when the LLM gave a nonsensical response. So I built German Mall, which makes it a lot easier. It lets me define a “workflow” consisting of a system prompt, initial message, and expected response format. I can browse past runs, tweak the prompt, rerun them to see the change, all without touching the services using them. Quick iteration loops are the best. German Mall also provides markdown documentation for each workflow, so integrating it downstream is simply a case of pointing a coding agent at the right documentation endpoint.

The “tidy book titles” workflow in German Mall

It’s not all fun and games: having a bunch of services all following the same pattern means you need to do cross-cutting maintenance on them now and then. But that’s surprisingly easy with LLMs. I put all the projects in a common folder, and I launch cross-cutting tasks from that folder. Usually I’ll make the change in one project, and then the cross-cutting task is simply “Look at commit XYZ in ./foo, make the same change to the other projects”.

I’ve also ended up with a shared library used by all the projects to cut down on some boilerplate. That’s normally something I’d resist, especially with personal projects, just because the extra overhead of working in a separate project, managing releases of it, and so on, is a bit annoying. But, again, LLMs can do almost all of that grunt work. They effectively reduce the “cost” of maintaining separate services to a negligible level, leaving me to focus on the more fun aspects like coming up with new names.

Monthly Meanderings: January 2026

2026-02-01T00:00:00Z

Welcome to the second edition of my monthly meanderings. For a bit of context, you can check out the introduction to the first edition.

Website updates

It’s been a pretty busy month for chameth.com. Three blog posts: The Meaning of Life — an entry into the IndieWeb carnival where I mostly review a book on Stoicism — Surge Protectors: Marketing vs Reality which is a dump of a research rabbit hole I fell into, and An Interesting Tailscale + Docker Gotcha which documents a fun problem I encountered.

I’ve also made a new films section, which is basically my Letterboxd data but free range instead of cooped up in a silo. I imported my 200-odd reviews, and for the last few I wrote the review on my site and then copied it over to Letterboxd. That’s what the IndieWeb folks call POSSE: publish on your own site, syndicate elsewhere. I like the idea that my website is the canonical source of truth for all the public things I generate. I want to expand this to some other areas in the future: music, video games, board games, etc.

I made most of the film components into “shortcodes”, so I can drop them into arbitrary pages or posts, like so:

Watched films ranked

Every film I’ve watched since I started logging, ranked.

Obviously super subjective, and subject to change often and arbitrarily.

264 films

Finally, I added a new widget to the bottom of most pages: a “nod” button. It’s effectively a “like” or “kudos” button but deliberately does not track how many times it’s been pressed, has no social network connotations, and won’t flood my inbox or hit rate limits if it gets spammed. If you click the button, it simply sends a message to a private IRC channel that says “Someone nodded at $URL”. I’ll probably write a bit more about it in a blog post in the future.

Other projects

I only have one small non-chameth.com update: a new project called pigeonhole which provides a really basic web service that lets you leave messages in a named cubby, and retrieve them at a later date. I’m using it to automate adding things to my Obsidian notes from my Apple Watch. There’s lots of reasons why that isn’t as simple as it sounds. I went through a bunch of iterations to try and make it work before just writing code to fix it.

I wanted to do this because I’m trying to replace Todoist with just having tasks in Obsidian. I already used Obsidian for longer form notes, but I’ve now also started using it for drafting blog posts (I’m typing this in Obsidian right now!), and trying to keep more useful day-to-day notes. I’ll probably write a blog post with more details once I’ve figured everything out.

Finally, I’ve been moving a bunch of projects to a private Forgejo instance, with the ultimate goal of having all of my projects live there. I’m going to mirror the contents out to GitHub and maybe other places, but Forgejo will be the single source of truth, and where all the workflows/dependency wrangling/etc happens. I’ve got Renovate configured to do dependency bumps, and I’m very much liking the whole setup so far. I’m saying it a lot but again: I’ll blog about it in more detail when it’s a bit further along.

Entertainment

I mentioned last month that I was playing Hogwarts: Legacy. I finished that off, and have been struggling to find something to scratch the same itch. I’ve tried a whole bunch of open world games, and basically none of them work for me. They have cumbersome control schemes (yay console ports), really awkward or sluggish movement, and so on. I think I’m just too fussy, but if I’m going to sink dozens of hours into a game it shouldn’t feel annoying or like a chore!

I did play through Thank Goodness You’re Here, which is delightfully funny but sadly only took 3.6 hours to finish with 100% of the achievements. Still highly recommend picking it up, especially when it’s on sale for under ‘10 bob’. I’ve also started playing through Control, and I’m enjoying the ambience. There’s an insanely sharp difficulty spike for the first boss, though, which nearly made me put it down.

In other entertainment, I’ve been playing a load of turn-based games on Board Game Arena , and I’ve watched a bunch of films after barely watching any last month. Here’s another of those shortcodes to show them off:

Around the web

Remotely unlocking an encrypted hard disk

A fun post documenting using Tailscale in a very weird way to solve a relatable problem. Very much my cup of tea.

I charged $18,000 for a static HTML page

This one’s actually from 2019, but it’s the first time I’ve come across it, and it’s a fun story. As a contractor, deciding what to bill for and what not to can be a bit messy. Downtime between meetings? The ten minutes in the shower you spent thinking through a bug? It’s a lot more clear cut if the client wants you to sit in an office, twiddling your thumbs, though.

Oxide RFD: Using LLMs at Oxide

A wonderfully well thought out piece about using LLMs in a respectful, sensible manner. I’d been thinking about writing something similar, but it wouldn’t have been anywhere near as well crafted as this. While I basically agree with it all, the part about LLM-generated text really resonates:

LLM-generated prose undermines a social contract of sorts: absent LLMs, it is presumed that of the reader and the writer, it is the writer that has undertaken the greater intellectual exertion.

Your app subscription is now my weekend project

Roberto points out that monthly SaaS subscriptions start looking even less appealing when you can just prompt an alternative into existence. I talked a bit about using LLMs for one-person software before, and it becomes even more appealing when the alternative is paying monthly for a service that keeps shoe-horning in features you don’t want, making you agree to share data with 329 “trusted partners”, and/or repeatedly ratcheting up the price.

Ekul’s Internet Space

I love the aesthetics of this personal site, and the data tracking that goes along with it. I’m also slightly aghast at the amount of Monster consumed! Makes me want to track more things and expose them on my own site.

Monthly Meanderings: December 2025

2026-01-01T00:00:00Z

For a while I’ve been idly thinking about a way to get smaller bits of content onto my website without it being too annoying for me, or too hard to consume. Things like interesting links, small project updates, and so on.

I didn’t immediately come up with anything I was happy with, so just sat on it. Ignoring the problem seems to work surprisingly well for things like this. I’d been meaning to redesign the about page for a while, but wasn’t sure what to do with all the interests I wanted to list. After ignoring the problem for a while I came across the interests directory and realised I could just bundle all those things into their own page.

This seems amazingly obvious in hindsight, but I think I needed a bit of a push to accept that a page just about my interests was… well… interesting. Anyway, as the end of December rolled around, I got a similar dose of inspiration: a flurry of monthly round-up posts from various blogs I follow. If I bundle up all the small bits and bobs, it’ll make something vaguely blog post shaped, and writing and consuming those is already a solved problem. Again, pretty obvious in hindsight, and again I think I just needed a nudge to shut up the little voice in my head saying “but those people all have interesting things to say… do you, really?”

So without further ado, welcome to the inaugural post in my new monthly meanderings series. If you have any feedback on the format or contents, please drop me a note with the contact form at the bottom!

Website updates

As already mentioned, I reworked the about page and split out a new interests page. The old about page had a few lists of interests show up in thought bubbles when you hovered over things, which was a cool effect on desktop, but barely worked at all on mobile. The new page gives me a lot more room for waffle, and I do like waffling.

Only a single new blog post this month: exposing game servers over Tailscale. Just a quick how-to I wrote up, having not found it documented usefully anywhere before. I have a bunch of ideas for posts I want to write, but none of them have really sparked joy quite yet, so I’m once again employing the “sit on them for a bit and maybe inspiration will strike” approach.

Other projects

I created a small collection of Docker related projects this month: containuum is a go library that helps with listing containers, and keeping that list up-to-date. On top of that I built centauri-docker-confd which generates a config for centauri (my reverse proxy) based on running Docker containers. I already had a way of doing that, but containuum is designed to be a bit more robust, and I made it so the config can be passed over a network connection instead of having to write it to disk and then signal the proxy to reload.

The next project has a bit of backstory: after reading I got hacked, my server started mining Monero this morning [warning: the article is interesting but a bit LLM-sloppy] I realised that I, too, was running a vulnerable version of Umami. Luckily, as far as I can tell, it wasn’t exploited. But it got me looking into automated vulnerability scanning. I don’t put much stock into it normally, as you get so many false alerts, but this is one case where it would have definitely helped. There didn’t seem to be any good solution for my “middle-of-the-road” approach to containers (lots of containers, but not needing Kubernetes), so I wrote purser. It takes every image used by a running container, runs them through Trivy, and generates a combined report. I’ll add some form of active notifications to it in the future.

Entertainment

This month I’ve been playing a lot of Hogwarts: Legacy, after picking it up for free on Epic Games. I grew up with the Harry Potter books coming out, and while I’m not a super-fan, it still has a special appeal to me. Obviously she-who-must-not-be-named is doing her best to out-evil Voldemort, but I think you can still enjoy the universe despite that. Especially when you don’t have to contribute any money that might go towards her.

Anyway, the game is surprisingly fun. They did a really good job of making it feel like an open world. You want to walk around from place to place to see everything, find all the various collectables, and so on. Compared to Far Cry or Cyberpunk the world is a lot smaller but that means it’s far more densely packed with stuff to do. I initially didn’t vibe with the way combat works: it’s pretty heavily reliant on dodging or shielding against incoming attacks, which reminded me a lot of Clair Obscur: Expedition 33. Fortunately, it’s a lot more forgiving in Hogwarts: Legacy and I got used to it after not too long.

It’s been a relatively sedate month for other forms of entertainment. I saw Fackham Hall and Wicked: For Good at the cinema. The former was a funny romp, vaguely reminiscent of Airplane or The Naked Gun, as you’d expect from something penned by Jimmy Carr. Wicked was… fine? I wasn’t overly enamoured with part one, so it’s not a surprise I didn’t vibe with the follow-up. If you smushed them into a single normal-length feature I think they would have made a really good film, but two films both over two hours long is a bit much for what actually happens.

Around the web

Wikipedia: List of citogenesis incidents

A list of incidents where (often false) information on Wikipedia has ended up becoming its own source. That led to Mark Dominus’ blog post titled Imaginary Albanian eggplant festivals… IN SPACE where he discovers that a mountain on Ceres got named after a made-up festival (and then got it fixed!)

Not relying on Wikipedia as a source was drummed into us at school, but it feels like this sort of thing is only going to get worse and worse now LLMs are on the scene. I assume we’re already at the point where LLM hallucinations are prevalent enough that they’ll find their way into the training data for future iterations.

Simon Collison’s website

I really like the design here. Both the homepage and how well every journal entry is formatted. It makes me feel bad for the many walls of text that adorn this site. The archived v4 design is also wonderful.

My Dinner with Skinner

A 43-minute-long feature film that is “just” the Steamed Hams gag from The Simpsons done in the style of My Dinner with Andre. There’s a (much shorter) behind-the-scenes video that goes over the extreme amount of effort that was put into it, too.

I’m still trying to wrap my head around this. It’s… something.

Delete Spotify? Sure, But Don’t Just Replace it With Another Subscription

A similar take to my own escaping Spotify the hard way, but it avoids getting lost in the technical weeds like I did. (In my defence, they’re very fun weeds to get lost in.) Stephanie is also one of the people that does monthly wrap-ups, and I was pleasantly surprised when the latest one popped up in my RSS reader and I saw my own site linked.

Blogging and the Imaginary Quality Bar

2025-09-18T00:00:00Z

Recently I realised that I’ve developed a self-imposed quality bar for blog posts. They need to be a certain length, and have a certain substance to them. They need to be generally useful in some way I can’t quite define, to some imagined future audience. They need to have images to break up the page, and opengraph data for when they’re linked to on social media. But… maybe they don’t? Those things all make sense for longer “article” type posts, but not so much for a personal blog.

I’ve done some fiddling so that I can make posts without all that extra stuff. We’ll see how it goes. The posts won’t be distinguished on the site (yet?), but I have set up separate RSS feeds for just short form posts and long form posts in case subscribers are radically opposed to one or the other. Now I can start blogging like it’s 2005 again. But hopefully with a bit less cringe.

I’ve been staring at this post in my editor for about five minutes. The urge to make it longer, more thorough, more article-like is really strong. This entire paragraph is only here as a compromise with myself so I can actually save and commit the post.

Making a font of my handwriting

2025-08-08T00:00:00Z

Recently I’ve been on a small campaign to try to make my personal website more… personal. Little ways to make it obvious it’s mine and personal, not just another piece of the boring corporate dystopia that is most of the web these days. I don’t quite want to fully regress to the Geocities era and fill the screen with animated under construction GIFs, but I do want to capture some of that vibe.

I’d added some bits and pieces along those lines: floating images in articles now look like they’re stuck to the page with sellotape, related post links have a wavy border that animates when you hover over them, and so on. Next, I wanted to change the heading fonts from a monospace font to something cursive, to resemble handwriting. Less terminal output, more handwritten letter. I couldn’t find one I liked, though. So why not make my own? It can’t be that hard, right?

Failing to do it myself

I set out to try to make the font myself using open source tools. After doing a bit of research, it seemed like the general approach was to create vectors of each character and then import them into a font editor. That seems to mean either Adobe Illustrator and FontLab (if you have too much money) or Inkscape and FontForge (if you like open source). I fall firmly into the latter category, so I grabbed my graphics tablet and opened Inkscape.

I wrote out my first three letters: capital A, B and C. Saved them in Inkscape, and attempted to import them into FontForge. Then I remembered one crucial thing that had slipped my mind: I absolutely loathe using FontForge. It’s a bit like when you open an old version of GIMP and get a bunch of weird looking windows floating all over the place; it feels like you’re fighting against the tool to do even the most basic operations. The difference is I have cause to edit images a lot more than I edit fonts, and GIMP has actually significantly improved their UI over the years.

Here are the rough steps I went through with FontForge:

Launch Font Forge. It shows a weird bit of art in one window, and an open file dialog in another.
I don’t want to open a file, so I close that dialog. The program exits.
Relaunch Font Forge, and realise that within the “Open Font” dialog is a “New” button. Click it.
Get to the standard font-editing UI. Right-click on the “A” looking for a way to import an SVG. Don’t see one.
Click around a bit, exploring the menus. Everything feels a bit off. You can’t open one menu then hover over the next to see its content, like basically every UI toolkit in existence. I think FontForge has eschewed QT and GTK in favour of doing things itself.
Find the “Import” option in the File menu. Hope it’s for a single glyph not the whole font.
A file picker opens. Again it’s all a bit off from normal desktop conventions. Try to resize it, and just get blank grey space at the bottom.
Type the absolute path I want to go to in the text field.
Get a dialog saying “Not a bdf file /home/chris/etc”. Press OK.
Get a dialog saying “Could not find a bitmap font in”. Press OK.
Press Ctrl+L to see if that lets me enter a path. Click everything in the dialog to try to find a way to enter a path. Get annoyed. Give up. Click through folder-by-folder to get to where I want to be.
Get to the folder and don’t see any files. Change the format to “SVG”. Double-click the newly-visible SVG file.
Get a dialog saying “You must select a glyph before you can import an image into it”. Press OK.
The import dialog goes away, having not imported.
Select the glyph in the main tool area, then repeat the File→Import dance.
It’s actually there now! Open the glyph in the editor and see it’s a complete mess of Bézier curves. I can’t click what I want without accidentally moving a handle for an adjacent curve.
Rage-quit.

I’m sure FontForge is less anger inducing once you’re used to it. And you definitely could use it to build a font like this if you had much more patience than me. I’d had enough of death-by-a-thousand-paper-cuts though.

I briefly tried Inkscape’s built-in support for making an SVG font. It annoyed me a lot less, but it’s fiddly: it seemed like each glyph had to be a single path, so you had to convert the glyphs to paths, then merge them correctly. If you merge them incorrectly then the wrong bits of your letters end up filled (like the inside of the ‘B’). Path manipulation is getting towards the limit of my knowledge of vector editing, and it took a bit of trial and error for each letter that had more than a single stroke. I didn’t fancy doing that for every letter.

I’m usually a big advocate of open source, but this was one of those painful times when it feels like it just falls short. Clunky, painful UI and processes where commercial tools just let you get on with your work.

You can exchange money for goods and services

When I’d been looking for open source tutorials, I found many mentions of a closed source, hosted tool: Calligraphr. It has a free version with limitations (no ligatures, no variations, 75 glyphs per font), and a pro version for £8/month. I’d normally balk at the idea of a subscription for this, but they have the perfect answer: you can make a one-time payment, and your account automatically downgrades back to free after a month. It’s not a hidden option, either, it’s the most prominent button on the upgrade page. That made me happy to give them £8 to play around with the service for a month.

Calligraphr works by having you print templates, write out the letters, then scan them in. It does some magical processing to extract the glyphs, provides tools to tidy them up, align them, etc, and then produces a TTF file for you. You can see some of my completed templates here:

Most of the templates I used for the font

Calligraphr has a nice UI to generate the templates, allowing you to select which glyphs to include. I added the “minimal English”, “basic punctuation” and “Ligatures” sets. That gave me four pages to fill out, and I did them all twice. That let me filter out versions that didn’t work well, and have variants for some letters so the font wasn’t too repetitive. Later on, I went back and added some custom ligatures based on blog post titles that didn’t look quite right: “Re”, “To”, “ers”, “ey”, “hy”, “ra”, “re” and “ty”. Ligatures like this help it look more natural: when we write we don’t just stamp out identical letters regardless of their surroundings, instead they will connect to their neighbours, or overlap slightly, or even share a stroke.

I filled these templates in with a Sharpie, as I wanted a fairly informal, scrap-booky look, and it would also give good solid shapes that should be easy to pick out of the template. I scanned them with the “Scan Document” function on my iPhone, and uploaded the PDFs to Calligraphr.

Iterating and tweaking

The Calligraphr UI allows you to preview the font, but I found it a lot more useful to just download a copy and use it on a local copy of my website. That let me test it with real text, and see how it’d look at the different font sizes I use on the site.

The first version was not great. Despite the guidelines on the template, I apparently wasn’t good at sticking to them. Some letters were floating way off the baseline, and some were sunken below. When those opposites met it looked terrible. Fortunately Calligraphr has a pretty easy tool to slide each letter up and down, and scale it up or down if needed, and you can see it next to other letters as you do it. It took a little bit of time to go through all the variants of all the letters, but the next version looked a lot better.

Another tweak I ended up doing was reducing the spacing between letters. The defaults Calligraphr uses are probably good for a blocky font, but I wanted to put the letters close together to give it more of a joined-up look. Again, this is an easy tool to use, you just drag the sides in or out as desired. While these tweaking steps were probably as fiddly as some of the Inkscape steps I refused to do earlier, they’re a lot more rewarding as you see things improving with each one. It’s a lot easier for me to commit time and effort to improving something that’s already working reasonably, than put that time and energy into an unknown.

Later, I noticed that occasionally there would be a huge gap in a title. Not “the kerning is slightly off” but “there’s enough room to park a bus”. It took me a while to figure out what was happening: a couple of glyphs hadn’t been isolated perfectly and had picked up a few pixels from the template lines at the edge of their boxes. That meant the glyph had a width that covered the actual written glyph, a big gap, and then the rogue marks. At first, I fixed this by just adjusting the width, but that left the little pixels floating awkwardly down-sentence. The proper fix was to use the editing tool and simply delete them, and then Calligraphr snapped the width back to what it should be.

These iterations took a while to do, but I just dipped in and out occasionally over the course of a week, so it didn’t actually feel like too much work. I quite enjoy the process of refining things, too.

Result and a surprise

If you’re viewing this post on my website¹, you can see the font in the headers, captions, and a few other places. Here’s how it compares to my actual handwriting:

My handwriting vs my handwriting font

It’s not close enough to forge documents, but I think it definitely gets across my style, and that’s exactly what I wanted. It’s surprisingly legible even at smaller font sizes — I think the weight of the Sharpie helps here — and at £8 and a bit of manual work was a lot more economical than spending days wresting with open source tools.

A few weeks after I put the finishing touches on the font, I got an e-mail from Calligraphr. As my account had lapsed back to the free version, I was no longer eligible for the “server-side backup” feature. So what did they do? They e-mailed me an exported copy! It’s a JSON file with the properties of each glyph and a base64 encoded image. Not only can I re-upload this to Calligraphr if I resubscribe, I can probably hook something up to edit it should I ever need to. I’m blown away by how pro-user Calligraphr’s business practices are. They’re up-front about pricing, don’t try to get you stuck on an auto-renewing subscription, and automatically export your data. It’s like a breath of fresh air compared to the barrage of dark patterns that other websites foist on us. If you want to make this kind of font, I’d definitely recommend them just because of how nice they are.

And I haven’t changed everything since writing this post… ↩︎