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Monthly Meanderings: March 2026

2026-04-01T00:00:00Z

Since last month’s update I’ve been unpleasantly reminded that I’m middle aged, through the medium of a dodgy knee. There’s nothing quite like not being able to stand up without groaning to underscore that you’re not young any more. The ongoing game of “will this seemingly mundane activity make my knee go funny again?” is a delight to play, too. I’m great at it.

Website updates

Two new blog posts this month: the longest way to represent a date is a short thought experiment on absurd date formats, and modern CSS is fun goes through some neat new CSS features I’ve used recently for this site.

I did some design tweaks this month: headers now have a blue background behind them¹, and a lot of components have been redesigned to have a consistent style. You can see that component in action in the new “now playing” widget I’ve added:

Eva Under Fire — Unstoppable Love, Drugs & Misery Scrobbled 2m ago

Instead of each component defining its own styles (which were mostly copied and pasted), there’s now a single class that handles the drop shadow, border, background colour, and the optional title. It also applies a consistent format to elements that are clickable: they use the blue accent colour for their borders, and have a glow effect shown on hover.

The now playing widget is part of a larger bit of work I did on importing some music stats. I’m pulling in the data from my Navidrome instance. A new music page shows my most listened albums and artists. Navidrome doesn’t store a complete play history, just the last play and the count, so I can’t do “what I listened to last month” stats until next month.

Other projects

Other than a minor bug-fix update to contempt, my Dockerfile templating/updating tool, I’ve not done much on my other open source projects. I’ve got a bit more work to do finish migrating all my repositories from GitHub to my private Forgejo instance. I’ve also been thinking about mirroring my public repositories to Codeberg so there’s a non-GitHub way to access them.

Entertainment

I apparently only watched a single film in March:

The Substance

2026-03-18

I really didn’t get on with this. It’s too long for what it is, and over-the-top in a way that just didn’t work for me.

Demi Moore and Margaret Qualley were great, but nothing else really was. The cinematography and sound design were too affected, the plot was pretty shallow and obvious, most of the body horror fell into the uncanny CGI valley for me.

It’s not completely without merit: there were around 40 minutes in the middle where I was really into it, but that’s not really enough given it’s closing in on a 2.5 hour runtime.

There’s something to be said for the message it’s presenting about women in Hollywood, too, but it was very heavy handed. Dennis Quaid’s character is even called Harvey; it’s not so much a subtle nod as a sledgehammer to the face.

Instead of films, I’ve been watching a bunch of TV. After devouring The Pitt last month, I struggled to find something to fill the hole it left. I settled on catching up on Chicago Fire and Chicago P.D.. They’re both mostly about getting things done without personal drama becoming the primary focus. They’re not quite as grounded as The Pitt, but at least they’ve not completely gone off the deep end like 9-1-1 where the first responders end up in space somehow?

I’ve also watched the first two episodes of SNL UK. I didn’t have very high expectations, and it gave me a pleasant surprise. Both episodes so far have some hilarious sketches, and are obviously written by British comics with the typical darker, more sardonic humour that separates us from the USA.

Last but not least, board games! I spent a weekend at a tabletop/LAN event with friends, so got to physically play some games for a change. I also kept up with some turn-based games on Board Game Arena, as usual.

6 plays
4 plays
4 plays
4 plays
3 plays
3 plays
3 plays
2 plays
2 plays
2 plays
2 plays
2 plays
1 play

Around the web

Warranty Void if Regenerated

Some really cool speculative fiction about a future where all software is written by LLMs, and the social effects that may have. Unfortunately the story itself is written with an LLM, and that becomes painfully obvious about a third of the way in. By that point I was already hooked, though.

My 2-step process for AI-free blogging

Speaking of LLM-generated text, this short piece by Manuel Moreale made me laugh. I’m by no means anti-LLM, but I really hate people publishing the output like it’s their own work. It breaks the social assumption that the writer put more effort in than the reader, and makes me wonder how much is hallucinated.

25 Years of Eggs

An interesting applied use of coding agents. I’m a sucker for personal statistics. I have no explicit desire to keep my receipts, or generate graphs of my egg consumption, but seeing the graphs makes me question that. The journey to get there is a great read, too.

I made a one-page notebook

The clever paper folding is interesting, but I really like some of the small touches on the page. There’s a nice little “in reply to” callout providing context at the top of the page, you can click to rotate the image further down, and there’s a details element containing a textual version of it. It has that great ‘small web’ vibe of someone who really cares about what they’re doing.

Workers who love ‘synergizing paradigms’ might be bad at their jobs

I haven’t read the full paper, but the summary given by the article is equal parts interesting and amusing. They developed a “Corporate Bullshit Receptivity Scale”, what more is there to say?

It’s meant to resemble painter’s tape, but I’m not sure quite how well it works. ↩︎

Modern CSS is fun

2026-03-17T00:00:00Z

I’ve been doing a bunch of CSS tweaking recently, and keep being surprised by how nice modern CSS is to work with. As someone grey-haired enough to remember writing HTML without CSS, it’s amazing to think how far along web technology has come¹. I wanted to demonstrate some of the handy bits and pieces I’ve used recently.

:has

The :has selector allows you to effectively query for child elements. While a span will match a <span> within an <a>, a:has(span) will match an <a> that contains a <span>. This really shines when combined with more complex selectors, for example:

input {
    border-radius: var(--border-radius);

    &:has(+ .results:not(:empty)) {
        border-bottom-left-radius: 0;
        border-bottom-right-radius: 0;
    }
}

This is part of the styling for my film search box. When the search box is presented initially it has fully rounded corners. But when it is followed by a non-empty results element, it removes the rounding on the bottom corners so that the border continues in a straight line down into the results. You can see it in action below; just enter a few characters (like “the”) to get some results:

You could achieve the same effect by having JavaScript add a class to the <input> element, but I’ll take a CSS solution over a JavaScript solution any day.

Nested rules

You probably spotted this in the example above. It’s what finally made me switch from SCSS to plain CSS. If you have a rule for .foo and a rule for .foo .bar you can just nest them. Not only does it save repeating yourself an awful lot, it keeps everything organised nicely. For example, the CSS for my film list embeds looks like this:

a.film-list {
    display: grid;
    grid-template-areas: "header images" "description images" "meta images";
    grid-template-columns: 1fr auto;
    grid-template-rows: auto 1fr auto;
    row-gap: var(--small-space);

    @media (width <= 800px) {
        grid-template-areas: "header" "description" "images" "meta";
        grid-template-columns: 1fr;
        grid-template-rows: auto auto auto auto;
    }

    & + & {
        margin-top: var(--medium-space);
    }

    h3 {
        font-size: var(--font-size-xxlarge);
    }

    .description {
        /* ... */
    }
}

Everything is wrapped up in a single bundle, including the @media rules for changing the layout on smaller screens, the lovely little & + & rule that adds some extra margin if there are two lists in a row, etc. The & syntax refers to the parent selector, so & + & in this case is the same as a.film-list + a.film-list: it’s very handy! The best part about this is that it’s the exact same syntax as SCSS, so converting is easy². The styled element looks like this:

Watched films ranked

Every film I’ve watched since I started logging, ranked.

Obviously super subjective, and subject to change often and arbitrarily.

264 films

Media range syntax

Once again, you might have spotted this in the previous snippet. I’m not deliberately teasing things, I promise! Back in the day, you did media queries like so:

@media (min-width: 1000px) and (max-width: 2000px) {
    /* some rules that work for screens at least 1000px wide and at most 2000px wide */
}

I always hated this syntax. I always got muddled up as to whether I wanted “min” or “max”, and whether they were inclusive or not. It’s easy to reason through, but it never came naturally. Fortunately you can now just use ranges:

@media (1000px <= width <= 2000px) {
    /* some rules that work for screens at least 1000px wide and at most 2000px wide */
}

I find this style so much easier to write and understand.

Anchor positioning

Trying to dynamically position one element next to another used to exclusively fall within the purview of JavaScript. Fortunately anchor positioning fixes all this. I use this in the film search field I showed above:

.film-search {
    input {
        anchor-name: --film-search-box;
    }
    .results {
        position: absolute;
        position-anchor: --film-search-box;
        position-area: bottom center;
        position-visibility: always;
        width: anchor-size();
    }
}

This does lots of fun things. The .results element is anchored to the input field (via the --film-search-box name), and it’s positioned on the bottom, directly under the anchor. The position-area rule describes a 3x3 grid, with the anchor at the center, so top left would put it diagonally adjacent to the anchor. Next, position-visibility keeps the .results element visible when the anchor isn’t; otherwise when you scroll the anchor off the screen the results would immediately vanish. Finally, the special anchor-size() function makes the .results element take up the same exact width as the anchor.

All-in-all, this puts the results exactly where I want them, without having to deal with any JavaScript at all. I can see how it’d also be amazingly useful trying to do tooltips or other forms of ‘floating’ content too. You can even leave the positioning up to the browser, giving it hints about which order to try, or what property to optimise for (e.g. you can say “anchor to the left or right, whichever has more horizontal space”).

attr() function

This one blew my mind a little. In some of the elements on the site, I’ve added a little label to the top. It looks something like this:

It’s meant to just be a visual flourish, not a semantic title or anything, so I initially just added a ::before selector to each element, customising the content to have the right value. I didn’t like the duplication, though. Now, instead, I do this:

&::before {
    content: attr(data-title);
}

Each component defines its title in a data attribute: <div class="raised-box" data-title="an example">, and the attr function plucks it out and puts it in the content rule. It’s worth noting that this is only widely supported for the content rule, you can’t yet use it for colours or dimensions or other things. It still feels a bit magical, though. Like you’re making a reusable, customisable component with just HTML and CSS.

layers

I’d come across layers a few times, but I never found a need for them. It seemed like something you’d only really need with complicated design systems, or something. Then I had a problem and layers were the perfect solution!

The headings on this site have a whole bunch of CSS attached to them. Currently they look a bit like blue painter’s tape with handwriting on them. This style is applied to all headers, and then the various places that don’t want it had to manually reset everything. I got fed up with that, so decided to add a plain-header class which would “disable” the extra styling:

h2,
h3,
h4,
h5,
h6 {
    /* common styles for all headers, regardless */
    font-family: "Chris Hand", sans-serif;
    font-size: var(--font-size-xxlarge);
    color: var(--text-highlight-colour);
    margin: var(--medium-space) 0;
    line-height: 1;

    &:not(.plain-header) {
        /* do fancy stuff if it _doesn't_ have the .plain-header class */
        transform: rotate(-0.15deg);
        padding: var(--smedium-space);
        font-weight: 800;
        filter: drop-shadow(3px 3px 5px rgb(0, 0, 0));

        a {
            background: none;
            text-decoration-skip-ink: auto;
        }
    }
}

This might seem a bit backwards but I want the default to be styled, as those are far more common. I added this change, sprinkled around some “plain-header” classes, tidied up a lot of duplicate CSS, and things mostly worked. Mostly. Some things stopped working. In a few places the headers had slight tweaks, and they stopped working entirely.

It turns out in moving the rules from a plain h2 selector to a h2:not(.plain-header), I’d made them more specific. Previously a selector like h2.special would have been more specific, so its properties would override those from the less specific h2 selector. My first reaction was to try and hack around it. Changing all the overrides to body h2.special would make them more specific again, but I didn’t want to have to remember to do that forever more.

Instead, I defined some custom layers, and put the header definitions in one:

@layer reset, links, headings

@layer headings {
    h2,
    h3 {
        /* etc */
    }
}

The first @layer rule defines some layers that will be handled in a specific order: first the “reset” layer, then the “links” layer, then the “headings” layer, and then anything not in a layer after that. Rules in one layer don’t have to worry about beating the specificity of rules in another layer, because they’re handled separately.

Note that I couldn’t just put the headings in a layer and call it a day: their rules have to come after the CSS reset, and after the normal link styles, as headers have a bit of extra styling for nested links. If the CSS reset weren’t in a layer, then the * { margin: 0; padding: 0; } type reset would apply over the rules from the headings layer.

Using layers is definitely a bit fiddly, and is not necessary for a lot of sites, but it’s a much cleaner alternative to ugly specificity hacking.

Things I’m looking forward to

There are a few things that aren’t (widely) available yet, that particularly interest me:

sibling-index() and sibling-count()

These new functions are available in WebKit and Blink based browsers, but not Firefox. They give you the index of the element within its siblings, or the count of siblings. For the film list component above, I currently have this abomination for the overlapping posters:

&:nth-child(1) {
    z-index: 5;
    left: 0;
}
&:nth-child(2) {
    z-index: 4;
    left: calc(133px * var(--overlap) * 1);
}
&:nth-child(3) {
    z-index: 3;
    left: calc(133px * var(--overlap) * 2);
}
&:nth-child(4) {
    z-index: 2;
    left: calc(133px * var(--overlap) * 3);
}
&:nth-child(5) {
    z-index: 1;
    left: calc(133px * var(--overlap) * 4);
}

These could be replaced with something like:

z-index: calc(1 + sibling-count() - sibling-index());
left: calc(133px * var(--overlap) * (sibling-index() - 1));

As an added bonus, it would scale to any number of posters. index being 1-based not 0-based is a bit unfortunate as it makes using it in calculations awkward (see 1 offset in both of those rules!), but it’s leagues better than writing 5 separate rules.

random()

Currently only available in Safari. There are a few places where I’d like to have slight random variations of the style. Things like elements that are rotated slightly for aesthetics; they look a bit silly if they’re all identically positioned. I also randomise the icons and positions of my rating stars to break up the visual monotony. Here are a few examples:

Currently I do the stars by hardcoding a bunch of classes and having the backend randomly apply one when it generates the markup for stars. Being able to do it in CSS would be great, though.

Mixins

This one’s so far off it’s not even listed on caniuse.com yet. Mixins are another handy feature of SCSS, that allow you to define reusable blocks of rules, then import them when needed:

@mixin fancy-background {
    background: /*...*/;
}

.some-element {
    @include fancy-background;
}

#other-element {
    @include fancy-background;
}

This would be particularly useful if you can’t easily control the markup to add classes to everything. For example, my footnotes are rendered by a markdown plugin, and don’t easily have a way to add extra classes to them. To style it the same as another element, I currently duplicate a bunch of rules between them both. Mixins would allow me to define those rules once, and then import them in both places.

Aside from JavaScript, which seems to just endlessly reinvent new frameworks and ways to make the most sprawling dependency tree possible. ↩︎
It also means that if your website’s syntax highlighting library doesn’t seem to understand nested rules, you can just pretend your perfectly valid CSS is actually SCSS and it’ll magically work. Grumble, grumble. ↩︎

Monthly Meanderings: January 2026

2026-02-01T00:00:00Z

Welcome to the second edition of my monthly meanderings. For a bit of context, you can check out the introduction to the first edition.

Website updates

It’s been a pretty busy month for chameth.com. Three blog posts: The Meaning of Life — an entry into the IndieWeb carnival where I mostly review a book on Stoicism — Surge Protectors: Marketing vs Reality which is a dump of a research rabbit hole I fell into, and An Interesting Tailscale + Docker Gotcha which documents a fun problem I encountered.

I’ve also made a new films section, which is basically my Letterboxd data but free range instead of cooped up in a silo. I imported my 200-odd reviews, and for the last few I wrote the review on my site and then copied it over to Letterboxd. That’s what the IndieWeb folks call POSSE: publish on your own site, syndicate elsewhere. I like the idea that my website is the canonical source of truth for all the public things I generate. I want to expand this to some other areas in the future: music, video games, board games, etc.

I made most of the film components into “shortcodes”, so I can drop them into arbitrary pages or posts, like so:

Watched films ranked

Every film I’ve watched since I started logging, ranked.

Obviously super subjective, and subject to change often and arbitrarily.

264 films

Finally, I added a new widget to the bottom of most pages: a “nod” button. It’s effectively a “like” or “kudos” button but deliberately does not track how many times it’s been pressed, has no social network connotations, and won’t flood my inbox or hit rate limits if it gets spammed. If you click the button, it simply sends a message to a private IRC channel that says “Someone nodded at $URL”. I’ll probably write a bit more about it in a blog post in the future.

Other projects

I only have one small non-chameth.com update: a new project called pigeonhole which provides a really basic web service that lets you leave messages in a named cubby, and retrieve them at a later date. I’m using it to automate adding things to my Obsidian notes from my Apple Watch. There’s lots of reasons why that isn’t as simple as it sounds. I went through a bunch of iterations to try and make it work before just writing code to fix it.

I wanted to do this because I’m trying to replace Todoist with just having tasks in Obsidian. I already used Obsidian for longer form notes, but I’ve now also started using it for drafting blog posts (I’m typing this in Obsidian right now!), and trying to keep more useful day-to-day notes. I’ll probably write a blog post with more details once I’ve figured everything out.

Finally, I’ve been moving a bunch of projects to a private Forgejo instance, with the ultimate goal of having all of my projects live there. I’m going to mirror the contents out to GitHub and maybe other places, but Forgejo will be the single source of truth, and where all the workflows/dependency wrangling/etc happens. I’ve got Renovate configured to do dependency bumps, and I’m very much liking the whole setup so far. I’m saying it a lot but again: I’ll blog about it in more detail when it’s a bit further along.

Entertainment

I mentioned last month that I was playing Hogwarts: Legacy. I finished that off, and have been struggling to find something to scratch the same itch. I’ve tried a whole bunch of open world games, and basically none of them work for me. They have cumbersome control schemes (yay console ports), really awkward or sluggish movement, and so on. I think I’m just too fussy, but if I’m going to sink dozens of hours into a game it shouldn’t feel annoying or like a chore!

I did play through Thank Goodness You’re Here, which is delightfully funny but sadly only took 3.6 hours to finish with 100% of the achievements. Still highly recommend picking it up, especially when it’s on sale for under ‘10 bob’. I’ve also started playing through Control, and I’m enjoying the ambience. There’s an insanely sharp difficulty spike for the first boss, though, which nearly made me put it down.

In other entertainment, I’ve been playing a load of turn-based games on Board Game Arena , and I’ve watched a bunch of films after barely watching any last month. Here’s another of those shortcodes to show them off:

Around the web

Remotely unlocking an encrypted hard disk

A fun post documenting using Tailscale in a very weird way to solve a relatable problem. Very much my cup of tea.

I charged $18,000 for a static HTML page

This one’s actually from 2019, but it’s the first time I’ve come across it, and it’s a fun story. As a contractor, deciding what to bill for and what not to can be a bit messy. Downtime between meetings? The ten minutes in the shower you spent thinking through a bug? It’s a lot more clear cut if the client wants you to sit in an office, twiddling your thumbs, though.

Oxide RFD: Using LLMs at Oxide

A wonderfully well thought out piece about using LLMs in a respectful, sensible manner. I’d been thinking about writing something similar, but it wouldn’t have been anywhere near as well crafted as this. While I basically agree with it all, the part about LLM-generated text really resonates:

LLM-generated prose undermines a social contract of sorts: absent LLMs, it is presumed that of the reader and the writer, it is the writer that has undertaken the greater intellectual exertion.

Your app subscription is now my weekend project

Roberto points out that monthly SaaS subscriptions start looking even less appealing when you can just prompt an alternative into existence. I talked a bit about using LLMs for one-person software before, and it becomes even more appealing when the alternative is paying monthly for a service that keeps shoe-horning in features you don’t want, making you agree to share data with 329 “trusted partners”, and/or repeatedly ratcheting up the price.

Ekul’s Internet Space

I love the aesthetics of this personal site, and the data tracking that goes along with it. I’m also slightly aghast at the amount of Monster consumed! Makes me want to track more things and expose them on my own site.

Making a font of my handwriting

2025-08-08T00:00:00Z

Recently I’ve been on a small campaign to try to make my personal website more… personal. Little ways to make it obvious it’s mine and personal, not just another piece of the boring corporate dystopia that is most of the web these days. I don’t quite want to fully regress to the Geocities era and fill the screen with animated under construction GIFs, but I do want to capture some of that vibe.

I’d added some bits and pieces along those lines: floating images in articles now look like they’re stuck to the page with sellotape, related post links have a wavy border that animates when you hover over them, and so on. Next, I wanted to change the heading fonts from a monospace font to something cursive, to resemble handwriting. Less terminal output, more handwritten letter. I couldn’t find one I liked, though. So why not make my own? It can’t be that hard, right?

Failing to do it myself

I set out to try to make the font myself using open source tools. After doing a bit of research, it seemed like the general approach was to create vectors of each character and then import them into a font editor. That seems to mean either Adobe Illustrator and FontLab (if you have too much money) or Inkscape and FontForge (if you like open source). I fall firmly into the latter category, so I grabbed my graphics tablet and opened Inkscape.

I wrote out my first three letters: capital A, B and C. Saved them in Inkscape, and attempted to import them into FontForge. Then I remembered one crucial thing that had slipped my mind: I absolutely loathe using FontForge. It’s a bit like when you open an old version of GIMP and get a bunch of weird looking windows floating all over the place; it feels like you’re fighting against the tool to do even the most basic operations. The difference is I have cause to edit images a lot more than I edit fonts, and GIMP has actually significantly improved their UI over the years.

Here are the rough steps I went through with FontForge:

Launch Font Forge. It shows a weird bit of art in one window, and an open file dialog in another.
I don’t want to open a file, so I close that dialog. The program exits.
Relaunch Font Forge, and realise that within the “Open Font” dialog is a “New” button. Click it.
Get to the standard font-editing UI. Right-click on the “A” looking for a way to import an SVG. Don’t see one.
Click around a bit, exploring the menus. Everything feels a bit off. You can’t open one menu then hover over the next to see its content, like basically every UI toolkit in existence. I think FontForge has eschewed QT and GTK in favour of doing things itself.
Find the “Import” option in the File menu. Hope it’s for a single glyph not the whole font.
A file picker opens. Again it’s all a bit off from normal desktop conventions. Try to resize it, and just get blank grey space at the bottom.
Type the absolute path I want to go to in the text field.
Get a dialog saying “Not a bdf file /home/chris/etc”. Press OK.
Get a dialog saying “Could not find a bitmap font in”. Press OK.
Press Ctrl+L to see if that lets me enter a path. Click everything in the dialog to try to find a way to enter a path. Get annoyed. Give up. Click through folder-by-folder to get to where I want to be.
Get to the folder and don’t see any files. Change the format to “SVG”. Double-click the newly-visible SVG file.
Get a dialog saying “You must select a glyph before you can import an image into it”. Press OK.
The import dialog goes away, having not imported.
Select the glyph in the main tool area, then repeat the File→Import dance.
It’s actually there now! Open the glyph in the editor and see it’s a complete mess of Bézier curves. I can’t click what I want without accidentally moving a handle for an adjacent curve.
Rage-quit.

I’m sure FontForge is less anger inducing once you’re used to it. And you definitely could use it to build a font like this if you had much more patience than me. I’d had enough of death-by-a-thousand-paper-cuts though.

I briefly tried Inkscape’s built-in support for making an SVG font. It annoyed me a lot less, but it’s fiddly: it seemed like each glyph had to be a single path, so you had to convert the glyphs to paths, then merge them correctly. If you merge them incorrectly then the wrong bits of your letters end up filled (like the inside of the ‘B’). Path manipulation is getting towards the limit of my knowledge of vector editing, and it took a bit of trial and error for each letter that had more than a single stroke. I didn’t fancy doing that for every letter.

I’m usually a big advocate of open source, but this was one of those painful times when it feels like it just falls short. Clunky, painful UI and processes where commercial tools just let you get on with your work.

You can exchange money for goods and services

When I’d been looking for open source tutorials, I found many mentions of a closed source, hosted tool: Calligraphr. It has a free version with limitations (no ligatures, no variations, 75 glyphs per font), and a pro version for £8/month. I’d normally balk at the idea of a subscription for this, but they have the perfect answer: you can make a one-time payment, and your account automatically downgrades back to free after a month. It’s not a hidden option, either, it’s the most prominent button on the upgrade page. That made me happy to give them £8 to play around with the service for a month.

Calligraphr works by having you print templates, write out the letters, then scan them in. It does some magical processing to extract the glyphs, provides tools to tidy them up, align them, etc, and then produces a TTF file for you. You can see some of my completed templates here:

Most of the templates I used for the font

Calligraphr has a nice UI to generate the templates, allowing you to select which glyphs to include. I added the “minimal English”, “basic punctuation” and “Ligatures” sets. That gave me four pages to fill out, and I did them all twice. That let me filter out versions that didn’t work well, and have variants for some letters so the font wasn’t too repetitive. Later on, I went back and added some custom ligatures based on blog post titles that didn’t look quite right: “Re”, “To”, “ers”, “ey”, “hy”, “ra”, “re” and “ty”. Ligatures like this help it look more natural: when we write we don’t just stamp out identical letters regardless of their surroundings, instead they will connect to their neighbours, or overlap slightly, or even share a stroke.

I filled these templates in with a Sharpie, as I wanted a fairly informal, scrap-booky look, and it would also give good solid shapes that should be easy to pick out of the template. I scanned them with the “Scan Document” function on my iPhone, and uploaded the PDFs to Calligraphr.

Iterating and tweaking

The Calligraphr UI allows you to preview the font, but I found it a lot more useful to just download a copy and use it on a local copy of my website. That let me test it with real text, and see how it’d look at the different font sizes I use on the site.

The first version was not great. Despite the guidelines on the template, I apparently wasn’t good at sticking to them. Some letters were floating way off the baseline, and some were sunken below. When those opposites met it looked terrible. Fortunately Calligraphr has a pretty easy tool to slide each letter up and down, and scale it up or down if needed, and you can see it next to other letters as you do it. It took a little bit of time to go through all the variants of all the letters, but the next version looked a lot better.

Another tweak I ended up doing was reducing the spacing between letters. The defaults Calligraphr uses are probably good for a blocky font, but I wanted to put the letters close together to give it more of a joined-up look. Again, this is an easy tool to use, you just drag the sides in or out as desired. While these tweaking steps were probably as fiddly as some of the Inkscape steps I refused to do earlier, they’re a lot more rewarding as you see things improving with each one. It’s a lot easier for me to commit time and effort to improving something that’s already working reasonably, than put that time and energy into an unknown.

Later, I noticed that occasionally there would be a huge gap in a title. Not “the kerning is slightly off” but “there’s enough room to park a bus”. It took me a while to figure out what was happening: a couple of glyphs hadn’t been isolated perfectly and had picked up a few pixels from the template lines at the edge of their boxes. That meant the glyph had a width that covered the actual written glyph, a big gap, and then the rogue marks. At first, I fixed this by just adjusting the width, but that left the little pixels floating awkwardly down-sentence. The proper fix was to use the editing tool and simply delete them, and then Calligraphr snapped the width back to what it should be.

These iterations took a while to do, but I just dipped in and out occasionally over the course of a week, so it didn’t actually feel like too much work. I quite enjoy the process of refining things, too.

Result and a surprise

If you’re viewing this post on my website¹, you can see the font in the headers, captions, and a few other places. Here’s how it compares to my actual handwriting:

My handwriting vs my handwriting font

It’s not close enough to forge documents, but I think it definitely gets across my style, and that’s exactly what I wanted. It’s surprisingly legible even at smaller font sizes — I think the weight of the Sharpie helps here — and at £8 and a bit of manual work was a lot more economical than spending days wresting with open source tools.

A few weeks after I put the finishing touches on the font, I got an e-mail from Calligraphr. As my account had lapsed back to the free version, I was no longer eligible for the “server-side backup” feature. So what did they do? They e-mailed me an exported copy! It’s a JSON file with the properties of each glyph and a base64 encoded image. Not only can I re-upload this to Calligraphr if I resubscribe, I can probably hook something up to edit it should I ever need to. I’m blown away by how pro-user Calligraphr’s business practices are. They’re up-front about pricing, don’t try to get you stuck on an auto-renewing subscription, and automatically export your data. It’s like a breath of fresh air compared to the barrage of dark patterns that other websites foist on us. If you want to make this kind of font, I’d definitely recommend them just because of how nice they are.

And I haven’t changed everything since writing this post… ↩︎

An app can be a ready meal

2025-06-11T00:00:00Z

It’s not a home-cooked meal, but it does the job sometimes.

Three years ago I read “an app can be a home-cooked meal” by Robin Sloan. It’s a great article about how Robin cooked up an app for his family to replace a commercial one that died. It’s been stuck in my head ever since. It’s only recently that I’ve actually done anything like Robin described, though. Part of the reason was my brain got too hung up on the family aspect: in my head, a home-cooked meal is one where your family or friends all gather around to eat it with you (in much the same way as Robin’s app is used in the article). It took me an embarrassingly long time to realise that you can apply all the same arguments to an app built just for you. And it doesn’t even have to be difficult. In fact, it can be more like a ready meal¹ than a family dinner.

Why not open source?

I love open source software. Almost everything I use day-to-day is open source, and most things I write for myself I release as open source. I believe that should be the default stance for most software. So why would you want to make something and keep it just for yourself?

Even if an open source project garners no users whatsoever, there’s still some pressure for it to meet certain standards²: if it needs configuring, then there needs to be a mechanism for people to do that; the code needs to be of a reasonable quality — my open source projects are linked from my CV, potential clients might be looking at them — and there needs to be at least some attempt at documentation or showing other people how to use it. There’s “building in public” and then there’s “inviting the whole world to poke around your drawer of shame”.

The way I usually work on things that are mostly for me is I hack them together, and then I gradually force myself to fix them up into a state where I consider them acceptable for release. That stage isn’t fun, and sometimes it adds more complexity than the whole original project. I’m not saying open source isn’t worth it — far from it! — but there is definitely a balance to be struck between the utility of making something open source and the amount of effort it takes.

For example, I mentioned previously that I wrote a home automation system. Hidden within that is a ~40 line function that determines whether a fan should be turned on to keep a room cool. The logic is entirely unique to the devices on my network and my requirements. To try to put it into a form that would be useful to anyone but me would take exponentially more effort. I’d basically be re-inventing Home Assistant, and I explicitly started that project because I didn’t need that kind of complexity. For a while I had this nagging feeling that I should find a way to open source it. Then I had my³ “lightbulb” moment: I could just not.

Writing something entirely for yourself, without planning on open sourcing it is surprisingly liberating: you don’t need to worry about documenting things; you can change anything and everything at will without having to worry about migration paths or whether it’ll break anyone’s workflow; you don’t have to configure things, you can just code them how you want. Hell, you can hard-code API keys right in the source code. Who cares!

The microwave revolution

XKCD 1205

One of the other problems with making software just for yourself is that often the time investment just isn’t worth it. If I spend a day automating something that normally takes me five minutes, it’s going to take an awful long time to “break even” on that time spent. If you’re open sourcing something then there are ancillary benefits that may tip those scales: you might help other people, have something to show off, etc. But if it’s just for you, then XKCD 1205 is a harsh mistress.

Recently, though, a new tool has emerged that tips the balance: LLM assistants. I’ve talked about my experience before. I’m definitely not comfortable letting an LLM run roughshod over my published code, even if it can help write some of it, but for private code? Why not! For a trivial example: I have a USB key with an Arch Linux ISO on it, in case I need to troubleshoot or reinstall my PC. Every so often I’ll update the ISO to the latest version. It probably takes 5 minutes to do, so it’s probably only worth 25-50 minutes to optimise it. Can I write, test, and debug a script to do it myself in that time? Probably not. Can I get an LLM to generate some code to do it for me, and then spend 10 minutes reviewing it⁴? Easily.

To continue with the strained metaphor: LLMs are like the microwave that nukes your ready meal. Pop in a prompt, let it use a load of power for a while, and out pops your app. You can even do it on your phone while sat on a sofa⁵. That changes the time equation even more: you can just squeeze in a prompt whenever something comes to mind.

This also goes back to the open source issue: I don’t feel comfortable publishing something created by an LLM with minimal intervention on my part. If I can prompt an LLM to do something, so can anyone else. We don’t need more slop out there, and I don’t want there to be any confusion about what I’ve written and what I’ve just prompted into existence. But for personal projects that will never see the light of day it’s perfect.

What I’ve made

Besides the home automation controller, I’ve built a constellation of smaller tools: a script to arrange windows on my monitors how I want them⁶, one to help me verify that my backups are working and can be restored, one to create the files/folders for a new blog post, and some other odds and ends. They’re all pretty small, and pretty specific to my setup.

My biggest just-for-me project is a web app that I started to help me aggregate film recommendations. It’s since morphed into a general personal data aggregation service: it deals with data from GitHub, Todoist, Letterboxd, TMDB, Healthkit, and others. It also lets me make re-orderable lists, store recipes, and more. Parts of this could definitely be open sourced, and I might carve them out at some point, but it’s mostly a glorious hodge-podge of things specific to me. Having all these services in one place lets me make quick and dirty automations, for example: when I create a Todoist note on my phone or watch, I often forget to set the due date, so it doesn’t show up in the “Today” view. It was literally a few lines of code to plumb things together so any inbox task without a due date gets set to today automatically.

If I was trying to write these things in a way that would be useful to other people, or — for some of the features — without the aid of an LLM, I just wouldn’t be bothered. It’d take too much time for questionable benefit. But there’s a kind of joy in just being able to hack things together that work just well enough for you. A ready meal will never compete with a home-cooked meal, but sometimes it perfectly hits the spot.

Image credits	Creator	Licence	Source
Spaghetti carbonara	Wikimedia user Geni	CC BY-SA 4.0	Wikimedia
XKCD 1205	Randall Munroe	CC BY-NC 2.5	XKCD

or a “TV dinner”, if you’re North-American-ly inclined. ↩︎
Self-imposed pressure, for sure, but brains are going to do brain things. ↩︎
very obvious in retrospect ↩︎
Reviewing LLM-generated code that shells out to dd to write to the root of a storage drive is perhaps the most intensely I’ve ever reviewed any code to date. I really didn’t want to write a blog post about how an LLM blatted my hard drive! ↩︎
Phones are terrible input devices for code, but they’re just about passable for typing English. ↩︎
I basically want a tiling window manager, but without all the effort and weirdness of a tiling window manager. ↩︎